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<channel>
	<title>Jeanne Bloch</title>
	<link>https://jeannebloch.com</link>
	<description>Jeanne Bloch</description>
	<pubDate>Sat, 03 Jun 2023 19:47:01 +0000</pubDate>
	<generator>https://jeannebloch.com</generator>
	<language>en</language>
	
		
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		<title>1ere page front page copy</title>
				
		<link>https://jeannebloch.com/1ere-page-front-page-copy</link>

		<pubDate>Sun, 06 Nov 2022 10:40:01 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

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		<description>
	
Contemporary Hope 
Studio
</description>
		
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	<item>
		<title>gallery front page copy copy</title>
				
		<link>https://jeannebloch.com/gallery-front-page-copy-copy</link>

		<pubDate>Sat, 03 Jun 2023 19:47:01 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

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		<description>

JEANNE BLOCH</description>
		
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	<item>
		<title>About / Bio</title>
				
		<link>https://jeannebloch.com/About-Bio</link>

		<pubDate>Sun, 06 Nov 2022 10:42:40 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/About-Bio</guid>

		<description>
Jeanne Bloch explores the materiality of light through embodied practices. Her work echoes the early time of photography and film. Inheriting from figures such as Loïe Fueller or Nan Hoover, she creates interactive installations, visual art and performances through art based research protocols.


Jeanne’s work explores how light pollution impacts human imagination.


She suggests that darkness is the activator of our being in the world and as such must be protected from the dangers of indoor and outdoor light pollution. The omniscience of light in our lives erase the dark zones of our interiors and tend to illuminate all spaces whether they are intimate or public spaces, metaphorical or physical, modifying the experience of the passage between inside and outside.
The destruction of the soil of our imaginations – like sitting in a dark living room - is concomitant to the emergence of X-Rays technologies, the tools that allow doctors to look inside our bodies. When Modern Architecture limited the dark corners that fostered our inner connection --which means the possibility to be the subject of ourselves-- at the same time, our inner bodies became objects of observation.


Jeanne proposes to extend the definition of light pollution to surveillance society. Indeed, light pollution is not limited to our exposure to light: being seen or watching extends today to our digital experiences. Today, many more parts of our individualities have turned from subject to object: our moves in public spaces, our internal physiological movements such as our heart beat and our non physical movements like our emotions, are all objects of observation, they are all useful data to be monetized by others.


What would be a world where we would all be subjects? What would be a world without a focal point and which conceives of light as a relational material? These are the questions Jeanne raises with diverse audiences in art and non-art places, online or in real life and inviting the public to engage with her work all along her creation process.</description>
		
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	<item>
		<title>Workshops</title>
				
		<link>https://jeannebloch.com/Workshops</link>

		<pubDate>Tue, 06 Dec 2022 18:19:24 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/Workshops</guid>

		<description>Workshops
Free to Move, Dance Un-Chained
“Many parts of our individualities have turned from subject to object: our moves in public
spaces, our internal physiologic
	
	
al movements such as our heart beat and our non
physical movements like our emotions, are all objects of observation, they are all useful
data to be monetized by others.” (Conference paper, Jeanne Bloch, “Impact of Light
pollution on Human Imagination” ALAN 2021)


	&#60;img width="2000" height="3007" width_o="2000" height_o="3007" data-src="https://freight.cargo.site/t/original/i/64fc587a277c16305e8a4daa3e1f99109883e1e25808da507a61952ca6ed60f2/WORKSHOPS-Jeanne-Bloch---credits-Sophie-Gillmann-edited-by-JB.png" data-mid="204083984" border="0"  src="https://freight.cargo.site/w/1000/i/64fc587a277c16305e8a4daa3e1f99109883e1e25808da507a61952ca6ed60f2/WORKSHOPS-Jeanne-Bloch---credits-Sophie-Gillmann-edited-by-JB.png" /&#62;



	

	
		
		
	
	
		
			
				
					
						
In this workshop, we will explore dance and movemement as a practice of freedom in the context of blockchain technology.

Paradoxically, blockchain technology is both a tool to record all moves and a technology to help us keep ownership of our own digital identities.

						How to
protect our freedom to move? What does that mean physically, ethically and what to do to use
blockchain as a tool for freedom?&#38;nbsp;Previous dates
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Workshop #Day 1
Workshop #Day 2


						

Book a Workshop (online/onsite)
</description>
		
	</item>
		
		
	<item>
		<title>Decentralized Desires</title>
				
		<link>https://jeannebloch.com/Decentralized-Desires</link>

		<pubDate>Tue, 06 Dec 2022 18:19:52 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/Decentralized-Desires</guid>

		<description>Decentralized DeSIresStudio-Lab



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	Support our participation to DESCI London (15-16 Jan, 2023):
GIVETH

GITCOIN GRANT


&#60;img width="180" height="145" width_o="180" height_o="145" data-src="https://freight.cargo.site/t/original/i/02fae8304a06d560e6bd8d56edd7616e154866e26f9502a5a910c0e998d37d5a/Screen-Shot-2022-12-11-at-5.10.20-PM.png" data-mid="161613721" border="0"  src="https://freight.cargo.site/w/180/i/02fae8304a06d560e6bd8d56edd7616e154866e26f9502a5a910c0e998d37d5a/Screen-Shot-2022-12-11-at-5.10.20-PM.png" /&#62;




You can find us at Omega working Group / Token Engineering Commons (TEC)
	
</description>
		
	</item>
		
		
	<item>
		<title>Bio</title>
				
		<link>https://jeannebloch.com/Bio</link>

		<pubDate>Wed, 29 Sep 2021 13:01:37 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/Bio</guid>

		<description>︎Bio

Jeanne Bloch is a dance-tech artist, researcher and sustainability consultant pioneer based in France.
Her interactive installations, performances and academic research, presented in art and non-art places, engage with diverse audiences along the creation process.

Her art-based research, “How Light Pollution Impacts Human Imagination”, includes collaborations with science labs, engineers and other artists. It engages participants through mindful body machine interactions and organic and tech matters to question the ethics of a decentralized and entangled world.


Jeanne explores how interdisciplinary collectives can best collaborate and produce purpose driven economical value using embodied knowledge and blockchain DAO and tokenization.











Jeanne Bloch is a founding member of Motion DAO. She has been an artist in residence at BCG (Boston Consulting Group), Ecole Polytechnique Paris - Chaire Arts et Sciences (2018-2020), as well as in different art-tech and dance venues (Centre National de la Danse, Gaité Lyrique-Paris, Dancetech-Berlin, 104-Paris, Le Shadok-Strasbourg, Stereolux-Nantes, Cité des Sciences - CN2-Paris). She was also invited as an artist- guest speaker and workshop leader at University of Michigan, Park City Mathematics Institute Seminar (USA), Théâtre de la Ville-Paris, Summer Lab-Imagine 2020 (EU funded, Portugal), Computing Human Interaction Conference (Canada and Italy), Ballet du Nord (France) as well as in other non artistic venues. Her work was awarded International Year of Light, 2015.
Jeanne holds an MFA from ESACM and a MBA equivalent from IEA.&#38;nbsp; She completed with distinction a Practice Based Research online course from Stanford through NovoEd. She studied dance and choreography in NY and Paris. Jeanne Bloch has been a sustainability advisor to global companies, cultural organizations and NGOs during 15 years.











ART EXHIBITS AND PERFORMANCES


- “Interactive Still Life”,&#38;nbsp; Interactive Experiences, CHI Italy, Juillet 2021

- “Interactive Still Life”, interactive installation, "Être vivant : devenir machinique ?”, Nuit des Idées, Musée des Arts et Métiers, Chaire Arts et Sciences, 2020

- Data Materia Workshop artistic participation and which works have been presented during the conference Experimental Engagements in Science, Literature, and the Arts, Viewpoint Gallery, University of California, Irvine, 2019



- “The Temple Windows Were Askew!”, Interactive Installation, Strasbourg, Laboratoire d’Europe, Strasbourg Laboratoire de Demain” inter-museums exhibition, with support of Le Shadok, Strasbourg and le 104, Paris, 2018



- “Interactive Still Life”, Installation, Carrefour Numérique: Cité des sciences de la Villette, 2017



- “Dance performance + e-textile objects”, commissioned work, CETI - Centre of European Innovation Textile, Talons Aiguilles Fashion Show, Palais des Beaux Arts, Lille, 2016



- “Light Augmented by Flesh”, research performance, Stereolux, Nantes, 2015



- Site Specific Performance, conception - creation, Digitalarti 2015



- “Twice Out Of Paradise” dance performance, studio presentation at Centre National de la Danse, 2013



- “Light Augmented by Dance”, open studio, Salon des Refusés, Numa, 2011

- “The Man With a Dove”, performed at the Climate Change Summit, Copenhagen. Concept, artistic direction and text: Jeanne Bloch, with Fa’iz Marhami, performer, 2009

- “Naomad”, member and co-founder of improv collective performing in several art galeries and art centers: L’Onde, Mozinor, Les Salaisons, Paris 2009-2013

- Scenography for a dance performance,&#38;nbsp; Festival Centroamericano de Teatro, El Salvador, 2001

- Dancer: “Paysage de Corps et de Nature”, Festival des Jardins de la Ville de Paris, 2008,&#38;nbsp;“Maison de Femmes”, 2003, Choreography:&#38;nbsp;Martha Rodezno&#38;nbsp;

Linkedin
Instagram
Contact Jeanne Bloch ︎

</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://jeannebloch.com/Writing</link>

		<pubDate>Sun, 27 Feb 2022 16:13:21 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/Writing</guid>

		<description>︎

Writing


Publications in Academic Journals:-“Collecting data, counting stars…Impact de la pollution lumineuse sur les capacités humaines d’imagination”, Presses Universitaires Savoie-Mont Blanc, 2021. Read more about this article
 -&#38;nbsp;“How Art Places Climate Change at the Heart of Technological Innovation”, Special Issue "Business, Open Innovation and Art", MDPI Journal of Open Innovation: Technology, Markets and Complexity, November 2019
Conference papers:
- “Protected (and Secured Area for Darkness Conservation, Installation + Perfornance”, Artificial Light At Night International Conference, accepted paper, 2021
- “Using Art as an Insight to Identify Ethical and Sustainable Issues”, with Céline Verchère. Human Computing International Conference, CHI Montreal, Human Food Interaction Workshop, 2018

Other Publication:
- Intégrons la recherche artistique dans les processus d’innovation with Olivia Verger, L’Express, 2015 

Seminars and Conference Presentations:- CHI Italy (Human Computer Interaction Conference, Interactive Experiences Exhibition), 2021- CHI Montreal (Human Computer Interaction Conference, Food Workshop), 2018- “Impact de la pollution lumineuse sur l’imagination”, CEGEP Sherbrooke, 2020- Paris Design Lab / Telecom Paris/ Lab presentation, 2021
- “Developing wireless capacitive sensors embedded in fruits and organic matters”, 1/2 day Hackathon ,Drahi X-novation Center, Ecole Polytechnique, 2019
- “Art Based Innovation”, BCG Paris, février 2019
- “Art Based Innovation”, Pecha Kucha Atelier Néerlandais, Paris, 2018
- “Interactive Still Life Research ”, Arts Numériques Contemporains : les Artistes en Laboratoire, LabEx ICCA, Paris 13 University, Carrefour Numérique, Cité des Sciences, 2017- Awarded workshop proposal Performance Architectures, Wearables &#38;amp; Gestures of Participation, &#38;nbsp;Metabody Forum, London,&#38;nbsp; 2016
- “Dance and Movement as Drivers for Sustainable Innovation” Guest speaker, University of Michigan, EECS-School of Performing Arts, 2015
- “Light Augmented by Dance”,  workshop, First Organizational Creativity International Conference, ARTEM Nancy, 2015How technology is redefining our approach to sustainability in fashion?Sustainability and Innovation roundtables, Fashion Tech Week, NUMA, 2015
- “How to light up your own body space ?”, Conquêtes Croisées, Arts &#38;amp; Sciences conference, Lyon Universities 1, 2 et 3, 2014- “Addressing sustainability challenges through wearables?” Wearable Tech Conference, Paris roundtable on luxury and technology, 2014- “Twice Out Of Paradise, dance and light research”, FAST, Forum Arts Sciences Technologie, Théâtre de Creil, 2013
- “Light Augmented by Dance”, Invited Artist,EU funded Imagine 2020, Art &#38;amp; Climate Change 3 days Summer Lab, Transforma Cultural Center, Portugal, 2012
- “L’art et la culture comme source d’innovation écologique et sociale”, Distinguish Speakers serie, IRCASE, International Research Chair in Art and Sustainable Enterprise (ARTEM-Nancy), distinguish speakers série, 2012
Dance and Sustainability roundtable with Prue Lang and Nathalie Rozot, Théâtre de la Ville, Paris, 2011
- “Breakthrough Sustainable Consumption in 6 trends”, ClimateExchange Conference, Copenhagen,&#38;nbsp;2009



Linkedin
Instagram
Contact Jeanne Bloch ︎

</description>
		
	</item>
		
		
	<item>
		<title>Talks</title>
				
		<link>https://jeannebloch.com/Talks</link>

		<pubDate>Mon, 28 Mar 2022 15:34:20 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/Talks</guid>

		<description>︎Talks

Jeanne Bloch has been a speaker in numerous conferences (academic, professionals, cultural...) Here are a few recordings:



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&#60;img width="1000" height="518" width_o="1000" height_o="518" data-src="https://freight.cargo.site/t/original/i/cf081b36e7854dc534917230ab8cb4a893a5589e2293f939d1d443364e6becfa/Screen-Shot-2022-03-28-at-4.49.41-PM.png" data-mid="137804206" border="0" alt="Ballet du Nord Workshop, 2018" data-caption="Ballet du Nord Workshop, 2018" src="https://freight.cargo.site/w/1000/i/cf081b36e7854dc534917230ab8cb4a893a5589e2293f939d1d443364e6becfa/Screen-Shot-2022-03-28-at-4.49.41-PM.png" /&#62;
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</description>
		
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	<item>
		<title>INDEX INTERACTIVE STILL LIFE</title>
				
		<link>https://jeannebloch.com/INDEX-INTERACTIVE-STILL-LIFE</link>

		<pubDate>Mon, 06 Dec 2021 20:24:49 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/INDEX-INTERACTIVE-STILL-LIFE</guid>

		<description>︎
Interactive Still Life


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“Unlike the mastering subject of geometrical
perspective,
the subject who encounters
light is not in control.” Prof. Ruth Iskin

					
				
			
		
	

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		<title>TEXTE INTERACTIVE STILL LIFE</title>
				
		<link>https://jeannebloch.com/TEXTE-INTERACTIVE-STILL-LIFE</link>

		<pubDate>Thu, 27 Jan 2022 13:02:04 +0000</pubDate>

		<dc:creator>Jeanne Bloch</dc:creator>

		<guid isPermaLink="true">https://jeannebloch.com/TEXTE-INTERACTIVE-STILL-LIFE</guid>

		<description>By allowing each of the elements of the Interactive Still Life&#38;nbsp; to be a light source, Jeanne Bloch imagines a world free from sujet-object relations - a world consisting only of subjects. In contrast to a geometrical perspective that gives sovereign power to one subject, her proposal explores a world without a focal point. This world includes the visitor and conceives light as a relational material, valuing decentralized distribution and relations in place of hierarchal systems.
Interactive Still Life connects fruits, vegetables, humans (audience) and technological objects through a same electrical circuit. The interactive installation is activated via the veggies conductivity properties (water) as well as human bodies (using capacitive sensors) thanks to the collaboration with Jonathan Perret, software performer. Very small low emission lights are embedded into some of the Still Life fruits and vegetables and possibly “into” some of the visitors which are offered to wear a lighting garment. When visitors touch one of the veggie, another produce lights up the scene. As a result, visitors create an immersive Still Life which they are part of.
Bloch collaborated with Céline Verchère, CNRS researcher and innovation sociologist, Sherbrooke University at Carrefour Numérique/Cité des Sciences in Paris. By examining Bloch’s Still Life interactions with the Cité des Sciences’ audience,&#38;nbsp; they explored how the artist inner self engagement in the creation process relates to climate change mitigation and exposed the characteristics of the dialogue an artist engages in with an “immersed” audience. See published article and Conference Paper at CHI 2018.
Shows and residences include: 104, Paris, Cité des Sciences Paris, le Shadok Strasbourg, Musée des Arts et Métiers, BCG Paris, CHItaly - Bolzano University, Institut Français, Milano

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